Benny Andrews was born in rural Georgia in 1930. He began his painting practice while studying at the School of the Art Institute of Chicago. After graduating in 1958, he moved to New York City where he continued his work, developing a technique of rough, expressive collage that incorporated cut fabric and paper into his oil paintings. In 1962, the Forum Gallery mounted his first New York solo exhibition. He went on to develop a reputation as a socially-minded artist and an advocate for greater visibility of African Americans in the art world. For the next four decades, he made and exhibited work in New York, and dedicated himself to activism and education in the community.

Andrews continued his prolific output of artwork, which ranged from explorations of history and social justice to intimate depictions of friends and family, until his death in 2006. Throughout his life, he was adamant that to truly effect social change, making art was not enough. He led art education programs for underserved students through Queens College and local community programs, and implemented a groundbreaking model for teaching art in prisons. In 1969, he co-founded the Black Emergency Cultural Coalition, which demanded greater visibility for people of color in art museums and the historical canon. He taught at Queens College through the 1990s, stopping briefly, from 1982 to 1984, to serve as the Director of the Visual Arts program for the National Endowment for the Arts. In his final years, Andrews illustrated children's books about the lives of Langston Hughes, W. W. Law, Josephine Carroll Smith, and Civil Rights leader Congressman John Lewis. In the foreword to the 2013 exhibition catalog Benny Andrews: There Must Be a Heaven, Lewis remembered Andrews:

"For Benny there was no line where his activism ended, and his art began. To him, using his brush and his pen to capture the essence and spirit of his time was as much an act of protest as sitting-in or sitting-down was for me. I can see him now: thinking, speaking, articulating what needs to be done and in the next few moments trying to make real what he had been contemplating. He was honest to a fault, and I think it was his determination to speak the plain truth that shaped his demand for justice and social integrity. He never aligned with any political group, but would offer the full weight of his support to anyone he thought was standing for truth."

 

Andrews in 1982. Photo by  Kathy morris

Andrews in 1982. Photo by  Kathy morris



Detail of benny andrews' the way, 1995 on view in "figuratively speaking" at michael rosenfeld gallery

Detail of benny andrews' the way, 1995
on view in "figuratively speaking" at michael rosenfeld gallery


The Benny Andrews Estate is represented by
Michael Rosenfeld Gallery

Current and Upcoming Exhibitions

Figuratively Speaking
Michael Rosenfeld Gallery, NY
thru January 20, 2018

Soul of a Nation
Crystal Bridges Museum, AR, February 2018
Brooklyn Museum, NY, September 2018

We the People
Ulrich Museum, KS, January 2018

Something to Say
McNay Art Museum, TX, February 2018
 

 
 

From the Benny Andrews Estate archives: A newspaper article in The Wichita Times, featuring Benny Andrews (left) in conversation with Dr. Martin Bush of WSU, photographed in front of Andrews' Symbols.  The painting, which measures 8 x 36' was acquired by Wichita State's Ulrich Museum in 1977, the year of this publication.

Recent News

Two Bicentennial Series masterworks to be exhibited in 2018

Andrews' Bicentennial Series was a six year project, begun in 1970 in anticipation of the American bicentennial of 1976. Each year was dedicated to the production of a single monumental painting, with dozens of drawings and painting studies made in the planning process. Two major works from the series will be shown this coming year, the McNay Museum will exhibit Sexism, 1974; and the Ulrich Museum will exhibit Symbols, 1970.

Read about the McNay's and the Ulrich's plans.

 
 

Benny Andrews Papers, 1940-2006

The archives of the Benny Andrews Estate are housed at Emory University's Rose Library. For research inquiries, contact the library at: marbl@emory.edu

 

Additional archival materials are housed with the Andrews-Humphrey Family Foundation, which oversees the estate.

 

Copyrights for all works of art and writings by Benny Andrews reside with the Benny Andrews Estate. Request to reproduce Benny Andrews work or texts in any manner should be directed to the Estate's rights representative, VAGA. To request permissions, please contact:

VAGA
111 Broadway, Suite 1006
New York, NY 10006
222-736-6666
info@vagarights.com

 

Contact

 

To join the Benny Andrews Estate mailing list or make an inquriy please email andrewshumphreyfoundation@gmail.com

Benny Andrews Estate
564 Sackett St
Brooklyn, NY 11217